Sunday, March 30, 2008

Zen Circle

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Zen art exemplifies the Zen ideals of simplicity and spontaneity, and most often takes the form of calligraphy and simple ink drawings.

The Zen circle, a popular motif in Zen art, represents the entire universe in a single, perfect stroke. Although simple, images like this are difficult to paint successfully and thus must be done with a clear mind focused on the task.

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Tuesday, November 20, 2007

Decorated Bhairav, Indra Jatra





Nepal is a land of Festivals. For the Nepalese, festivals are not merely the annual spectacles, but also are a living part of their rich cultural heritage. Festivals effectively bind together the Nepalese people of diverse cultural backgrounds and beliefs into one nation. Most Nepalese festivals are related to different Hindu and Buddhist gods and goddesses and they are celebrated on such days consecrated for them by religion and tradition.

Others are observed in honor of personal relatives such as festivals of Matatirtha and Gaijatra. Yet other are held to herald the different seasons or to mark the beginning or end of agricultural cycle. Some festivals are of national significance such as Dashain or Tihar; some are confined to the Katmandu Valley, while still others are celebrated only within one or two villages or cities.

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Wednesday, November 14, 2007

Tibetan Dorje Jewelry

Tibetan Dorje Jewelry

The bell and dorje, or thunderbolt, are inseparable ritual objects in Tibetan Buddhism, so they are common themes in Tibetan artisan jewelry. The dorje represents a thunderbolt of enlightenment, or the change in consciousness in the lives of mystics and saints.

The bell symbolizes wisdom and the dorje symbolizes method. Together, they represent the attainment of enlightenment. You'll find dorje symbols in stunning cuff bracelets, deeply carved rings, fabulous pendants and gorgeous earrings.

Tibetan dorje jewelry is among the most finely crafted in the world today. Skilled artisans use the same techniques that have been used for generations to create the most gorgeous silverworks and gem cuts.

Many Tibetan gem cutters and silversmiths practice their craft high in the mountains of Nepal in remote villages that have been virtually untouched by time. Fathers teach their sons the techniques to become grand master artisans.

Asia is home to some of the worlds finest gemstones, so grand master artisans have a wide variety of stunning stones to work with when creating dorje jewelry. Tibetan jewelry is often set with green turquoise, red coral, butterscotch yellow amber, labradorite and deep blue lapis lazuli. You'll also find stunning dorje jewelry set with fiery white opal, sky-blue fire moonstone and dazzling blue topaz.

 Most dorje jewelry is deeply carved sterling silver, but you'll find pieces in pure silver, bronze and gold. Look for double dorje jewelry that is ornately carved. You'll be amazed at the intricate hand carvings and artistry in each piece.

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Thursday, April 12, 2007

Silver Ornaments of the Miao Ethnic Group

Silver Earrings

There is a much greater range of silver earrings than any other type of Miao silverware. The Museum of Guizhou Province alone has, nearly one hundred kinds in its incomplete collection. There are four types of earrings: drop, circle, hook and wheel. Drop and circle types are the most popular types and earrings use other patterns besides the usual flowers, birds, butterflies and dragons.

Silver Bonnet Ornaments

The Miao people regard silver as talisman against evil spirits, so people living around the Qingshui River have a custom of decorating their children's bonnets with silver ornaments. Traditional bonnet ornaments include lions, fish and butterflies. Chinese characters such as fu (prosperity), lu (high position), shou (longevity), xi (happiness) and changming fugui (longevity with wealth and honor) are also used because of the influence of dominant Han Chinese culture.

Chest and neck decorations

Silver Neckbands

The Miao people have always attached great importance to neck embellishments. Chains and loops are the two basic kinds while some pieces combine the two, for example the chained rings in some regions.

Silver Collars

Silver collars are popular in the south of Hunan Province and the Qingshui River delta area of Guizhou Province. They evolved from the longevity clock, and retain the original rectangular shape with inscriptions like "Chang Ming Fu Gui" (longevity and wealth). They are usually worn with necklaces.

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Wednesday, April 11, 2007

Kapala Rosary (Skull Rosary)

A rosary is a specialized article used to count the times of chanting when Buddhist believers chant Buddhist scriptures. A rosary usually has 108 beads, but some have 20-30 beads. Most of them are made of Bodhi seeds, corals, glass, ember or hardwood. In Tibet, Buddhist believers think it a great and meritorious deed to make rosaries with their own skulls. This rosary is made of a human skull. Each bead is inlaid with turquoises, corals, pearls, gold and silver. Therefore, it is a priceless treasure.
 

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Monday, April 09, 2007

Tibetan ornaments: Ethnic charm unleashed

Compared with ornaments from other regions, the finer crafts of Tibet feature irregular shapes due to the natural quality of the materials, their splendid colors and rough, but unique handcraftsmanship. The designs mostly derive from religious beliefs and the lifestyle of the Tibetan people, the symbols convey special meaning and the deeply-hued Tibetan silver is a mysterious temptation. Genuine Tibetan silver products are handmade by Tibetan silversmiths and each is unique. The originality satisfies the modern spiritual desire of the wearer and their demand for particularity and individuality. And, largely due to the inexpensive prices, these objects are in chic.
 
 
 

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Tuesday, October 31, 2006

HuLianxian, Originator of Xiang Embroidery

She could embroider the paintings and cut the embroidery scripts, which had laid the foundation of the Xiang embroidery. Later, she established the Xiang embroiderywith her good friend Wei by combining the Yue embroidery to the Suzhou embroidery. At the early stage, they hired embroidery workers of 2000. In the needle rule, different from the "orderly needle" in the Suzhou embroidery, they applied the method of the disorderly needle (inserting the needle in disorder) to mix the colors vividly. The Xiang embroidery uses the slender silk threads, which would never have the fur, applying the irregular needles to express the Yin, the Yang, the thickness and the shade, with the rich changes in the layers. In the development course of the Xiang embroidery, she formed her own unique artistic style, which was simple and beautiful, and made the great contribution for the establishment and the development of the Xiang embroidery.
 
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Monday, October 23, 2006

HuLianxian, Originator of Xiang Embroidery

Mr. Hu Lianxian, was a craftswoman in the late years in Qing Dynasty. She could embroider the paintings and cut the embroidery scripts, which had laid the foundation of the Xiang embroidery...
 
Mr. Hu Lianxian, was a craftswoman in the late years in Qing Dynasty, with the ancestral home in Anhui Province. In her childhood, her father moved to Suzhou to work as an official, so she went to Jiangsu as well, and lived in Suzhou for long time, and therefore, she was titled as the "Suzhou People". Since her childhood, she began to learn the Suzhou-style embroidery, as well as the painting. After getting married in 20, she went back to Changsha, Hunan Province, and making a living with her embroidery. Later she established the "Needlecraft by Ms. Hu Lianxian" and the "Wu Caixia's Embroidery Workshop" to make the embroidery works, making the research and the improvements of the needle rules and material selections of the embroidery, and imparting her skills to the women in poverty.

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Tuesday, August 29, 2006

Chinese Jade Arts - A jade plate with dragon patterns from the Shang Dynasty

Chinese Jade Arts
During the Shang Dynasty (1600-1100BC,) craftsmen used metal tools to make progress in jadeware models and sculpture. Round jade articles increased in large numbers and jadeware was often given as a gift.

The jade-carving technique was developed quickly in the Spring and Autumn and Warring States periods (770-221BC.) The Spring and Autumn Period was known for its well-carved and exquisite jadeware. The coherent and undulating patterns of the dragon, phoenix and Panli (a figure of Chinese folklore) on the jade decorations are still treasured today.

A jade plate with dragon patterns from the Shang Dynasty (c. 1600-1100BC) 

During the Qin and Han dynasties (221BC-AD220), jadeware became more practical and objects such as jade tablets became obsolete. At that time, people began to believe in the power of jadeware to increase longevity: They thought they would live forever like gods if they possessed jadeware. Therefore, the practice of burying the dead with jadeware became common. Invaluable jade figures and clothes sewn with golden thread have been found in tombs dating back to the Han Dynasty.

During the Three Kingdoms (AD220-280) until the Song and Yuan dynasties (960-1368), there were no great developments in jade carving. This changed in the Ming Dynasty (1368-1644) when many famous craftsmen emerged. White jade vessels with golden holders and white jade bowls with golden lids, which were unearthed in the Ming Tombs, reflected the dynasty's peak level in jade carving. The jadeware technique peaked during the Qing Dynasty (1644-1911) under the advocacy of Emperor Qianlong.

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Tuesday, August 22, 2006

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Thursday, August 17, 2006

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Friday, August 04, 2006

Eastern Statues

Eastern Statues

Our collection of eastern statues includes a large variety of stunning bronze eastern statues, resin statues, and a magnificent assortment of handcrafted and hand-painted wooden statues Eastern Statues

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Monday, July 31, 2006

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