Eastern Tradition
Sunday, March 30, 2008
  Zen Circle
OM and Babao PendantOM Mantra PendantTibetan handmade beads bracelet

Zen art exemplifies the Zen ideals of simplicity and spontaneity, and most often takes the form of calligraphy and simple ink drawings.

The Zen circle, a popular motif in Zen art, represents the entire universe in a single, perfect stroke. Although simple, images like this are difficult to paint successfully and thus must be done with a clear mind focused on the task.

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Monday, April 09, 2007
  Tibetan ornaments: Ethnic charm unleashed
Compared with ornaments from other regions, the finer crafts of Tibet feature irregular shapes due to the natural quality of the materials, their splendid colors and rough, but unique handcraftsmanship. The designs mostly derive from religious beliefs and the lifestyle of the Tibetan people, the symbols convey special meaning and the deeply-hued Tibetan silver is a mysterious temptation. Genuine Tibetan silver products are handmade by Tibetan silversmiths and each is unique. The originality satisfies the modern spiritual desire of the wearer and their demand for particularity and individuality. And, largely due to the inexpensive prices, these objects are in chic.

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mala jewellery
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gold "om" bracelets
chinese necklaces
wooden prayer bracelet necklace

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Tuesday, August 29, 2006
  Chinese Jade Arts - A jade plate with dragon patterns from the Shang Dynasty
Chinese Jade Arts
During the Shang Dynasty (1600-1100BC,) craftsmen used metal tools to make progress in jadeware models and sculpture. Round jade articles increased in large numbers and jadeware was often given as a gift.

The jade-carving technique was developed quickly in the Spring and Autumn and Warring States periods (770-221BC.) The Spring and Autumn Period was known for its well-carved and exquisite jadeware. The coherent and undulating patterns of the dragon, phoenix and Panli (a figure of Chinese folklore) on the jade decorations are still treasured today.

A jade plate with dragon patterns from the Shang Dynasty (c. 1600-1100BC) 

During the Qin and Han dynasties (221BC-AD220), jadeware became more practical and objects such as jade tablets became obsolete. At that time, people began to believe in the power of jadeware to increase longevity: They thought they would live forever like gods if they possessed jadeware. Therefore, the practice of burying the dead with jadeware became common. Invaluable jade figures and clothes sewn with golden thread have been found in tombs dating back to the Han Dynasty.

During the Three Kingdoms (AD220-280) until the Song and Yuan dynasties (960-1368), there were no great developments in jade carving. This changed in the Ming Dynasty (1368-1644) when many famous craftsmen emerged. White jade vessels with golden holders and white jade bowls with golden lids, which were unearthed in the Ming Tombs, reflected the dynasty's peak level in jade carving. The jadeware technique peaked during the Qing Dynasty (1644-1911) under the advocacy of Emperor Qianlong.

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Friday, August 04, 2006
  Eastern Statues

Eastern Statues

Our collection of eastern statues includes a large variety of stunning bronze eastern statues, resin statues, and a magnificent assortment of handcrafted and hand-painted wooden statues Eastern Statues

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Eastern Tradition, traditional Chinese artwork, rustic tibet handmade jewelry, Thangkas, Shrine and Ritual, Statues, Prayer Flags and Door Curtains, Incense, Singing Bowls and Bells, Malas






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2006-07-30 // 2006-08-13 // 2006-08-20 // 2006-08-27 // 2006-10-22 // 2006-10-29 // 2007-04-08 // 2007-11-11 // 2007-11-18 // 2008-03-30 // 2009-03-29 //


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